Hello readers. I'm glad you're there.
Today I have spent the vast majority of the day sitting in my public library, where I can focus on work away from my laptop. It's not been pleasant. I'm not saying anything bad about the library, more the work itself, since today I've been looking for literary agents.
It's not been going well.
I thought I'd struck gold with the Association of Author Representatives, but no, they're all based in New York. It took me longer than I'd like to admit to realise that.
Disbelief has now been a work in progress for two years, and I've hit a roadblock so firm that I literally can not seem to get over it anymore. I've sent my work out to so many places, but the replies have all been so very similar. Disbelief is classified entirely as 'music'. People don't want to represent an author that writes about music.
There's so much more to it. The music is a vessel, a back drop even, but people don't want to listen to that.
It's hit me fairly hard today that I might not be able to find a market for my work. It's not the best feeling in the world, and I certainly didn't think that Disbelief was likely to let me down. Chances are it's not the fault of Disbelief, but the fault of myself in my method of representation.
Not sure how I can overcome this one, to be honest.
Today I have spent the vast majority of the day sitting in my public library, where I can focus on work away from my laptop. It's not been pleasant. I'm not saying anything bad about the library, more the work itself, since today I've been looking for literary agents.
It's not been going well.
I thought I'd struck gold with the Association of Author Representatives, but no, they're all based in New York. It took me longer than I'd like to admit to realise that.
Disbelief has now been a work in progress for two years, and I've hit a roadblock so firm that I literally can not seem to get over it anymore. I've sent my work out to so many places, but the replies have all been so very similar. Disbelief is classified entirely as 'music'. People don't want to represent an author that writes about music.
There's so much more to it. The music is a vessel, a back drop even, but people don't want to listen to that.
It's hit me fairly hard today that I might not be able to find a market for my work. It's not the best feeling in the world, and I certainly didn't think that Disbelief was likely to let me down. Chances are it's not the fault of Disbelief, but the fault of myself in my method of representation.
Not sure how I can overcome this one, to be honest.